(Source: pleatedjeans)

How can you claim to be in love with a foreign land and it’s culture, but your reason for going there is to proselytize its people and try to change one of the most beautiful things about their culture ???

  • therapist: do you feel loved by anyone?
  • me: drake

yongmuney:

why arent oven mitts called glovens

etornal:

Lone tree by etornal

euo:

never ask white people what their ethnicity is unless you wanna hear a list of every european country and meaningless fractions

(Source: worlddelevingne)

thefatgirlblog:

"All these young girls getting themselves pregnant"

Wow, self impregnating teenage girls, these men should be afraid, we as woman are evolving at alarming rates.

(Source: mending4)

  1. Camera: Canon EOS 5D Mark II
  2. Aperture: f/1.6
  3. Exposure: 1/2500th
  4. Focal Length: 50mm
  • baby: d-d-da..
  • father: daddy?
  • baby: dada /ˈdɑːdɑː/ or Dadaism was an art movement of the European avant-garde in the early 20th century. Many claim Dada began in Zurich, Switzerland in 1916, spreading to Berlin shortly thereafter but the height of New York Dada was the year before, in 1915.[1] To quote Dona Budd's The Language of Art Knowledge,
  • Dada was born out of negative reaction to the horrors of World War I. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zurich. Dada rejected reason and logic, prizing nonsense, irrationality and intuition. The origin of the name Dada is unclear; some believe that it is a nonsensical word. Others maintain that it originates from the Romanian artists Tristan Tzara's and Marcel Janco's frequent use of the words "da, da," meaning "yes, yes" in the Romanian language. Another theory says that the name "Dada" came during a meeting of the group when a paper knife stuck into a French-German dictionary happened to point to 'dada', a French word for 'hobbyhorse'.[2]
  • The movement primarily involved visual arts, literature, poetry, art manifestoes, art theory, theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. In addition to being anti-war, Dada was also anti-bourgeois and had political affinities with the radical left.

(Source: SUBFALENCIA)